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General Reiniger Selected films: VideoCeranfeld säubern - Putzen der Herdplatte
Please contact us. Preferably use in combination with a foam system. After cleaning, rinse with clean water. Shadow plays in countries like India, China, and Thailand were traditionally used to tell a story by means of movable figures made of non-transparent material whose images were projected on a screen.
They had first appeared in Europe in the 17th century. With the help of Berthold Bartosch, Reiniger injected images of waves to accompany a sea journey in the plot.
She added depth to much of the film by making separate negatives of figures she and her collaborators had created, then combining them to compose a single image.
For example, Bartosch's ability to pierce a piece of cardboard, to move it gradually for a series of photographs, and then to superimpose one shot over another, created what Eric Walter White described as "a sky of stars moving slowly … in different directions and at different speeds.
Weeks of tedious preparation were needed for many of the more complicated portions of the film. Despite its imaginative and stunning effects, some critics at the time found the film too long for an animated piece, but others called it "almost faultless," an achievement filled with "spirit and grace.
Reiniger largely abandoned such lengthy films after completing Prince Achmed. In the late s, now committed to making shorter animated works, she created three Dr.
Doolittle films. The second Doolittle film contained one of Reiniger's most famous sequences: the forming of the monkey bridge.
As Eric White, a longtime student of her work, writes, this portion of the film, with its complex acrobatics, shows how "Lotte Reiniger articulates her figures with such perfect justice and reasonable fantasy that the illusion is never broken.
She had mixed success, however, in maintaining the circle of talented animators who had worked with her between and Bartosch was a key collaborator in the Dr.
Doolittle films, producing the illusion of a snowstorm and, as in Prince Achmed , a seascape. His partnership with Reiniger lasted for nearly a decade.
On the other hand, Ruttmann, also Reiniger's key collaborator, gave up animation and turned to documentary filmmaking. Reiniger's attempt in at a live-action, full-length production, Running after Luck, failed, but she was able to salvage a two-reel animated segment of the film that could stand alone.
She is an artist and her work would be as good if instead of working with film she had been a painter or a musician. The advent of sound in films gave Reiniger new challenges for her skills.
She now created a number of works featuring a musical background. Mozart's The Magic Flute was the musical centerpiece for Reiniger's Papageno, with the visual images designed to accompany the operatic score.
Similarly, Carmen was an animated play composed to match the tunes of Bizet's opera. Despite the difficulty of pairing her images to a great work of music, Reiniger claimed to be inspired by the challenge.
Papageno offered audiences a series of particularly striking images as Reiniger's figures went through apparently miraculous transformations.
One such metamorphosis saw eggs hatched to produce human babies. Another showed birds transformed into dancing girls. Reiniger and Koch moved to England in the mids and remained there for several years.
A notable success for Reiniger, tapping the work she had done on Prince Achmed more than a decade before, was the shadow-play portion of French director Jean Renoir's film La Marseillaise.
She also completed numerous children's films in Britain. Some sources suggest that Reiniger returned to Germany in ; others state that she went back to her homeland only after the conflict had come to a close.
In , Reiniger settled in Britain, where she spent most of the next three decades making films for the BBC. The development of television gave Reiniger, who often worked in collaboration with her husband, a new outlet in which to display her abilities.
She finished more than a dozen animated films based on myths and fairy tales, including Aladdin, The Grasshopper and the Ant, and Thumbelina.
The Hazara leaders, of whom the most prominent was Refee Beg, offered to send tribute if Harlan would unite them in the struggle against the raiding Uzbek warlords.
The agreement made included Harlan being made hereditary paramount ruler and advocate. The British arriving later negotiated with the Emperor for the departure and loss of temporal power of Harlan.
In his later life Josiah Harlan continued advocating for the Hazaras. Reiniger has expressed mild interest in the title and suggests passing it to his younger brother Harlan Reiniger a historian and PBS documentary producer, but in general considers the title an anecdote and curiosity of no real world importance.
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View All. Selected response from: Klaus Herrmann Germany Local time: Klaus Herrmann. Stefanie Sendelbach. Peer comments on this answer and responses from the answerer agree.
Tradesca X. Stefanie Sendelbach : :. Claire Bourneton-Gerlach.